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Technical description


Târgul Moşilor în 1929. Chioşcurile de la intrare.
Mosilor Fair in 1929. Entrance Kiosks

The photo was taken in 1929, near the entrance portal partially appearing on the right side of the image.

The position it has, as compared to the portal, indicates the fact that the photographer actually leaves the fair. The elements of this image prove that the identity focused speech may also be built by means of the trade’s forms. The space marked by the nationalist ideology is not the down town, where we can find the windows of the great foreign companies (Suchard, Chevrolet), but Mosilor Fair, which was run from the very beginning under the patronage of the Royal House. During the reign of Carol I, the fair had the status of National Exhibition, representing a way of stimulating the autochthonous commerce. The products that were being displayed here would receive qualifications from the part of a specialized committee and the outcomes would be communicated within the Official Gazette.

 Ionescu’s photo proves the fact that the companies from Mosilor Fair belong to autochthonous manufacturers (their names are reiterated by the company’s trade names: „At C. Popescu’s”). While promoting the product, one would use epithets - adjectives that denote not only excellence, but also authenticity. The paintings from the exhibition (whose space does not differ from the one of the neighboring shops) are original paintings. Most frequently, authentic means autochthonous and the advertising speech is so powerful that it appropriates even foreign elements: C. Popescu sells the “traditional” ginger bread. As far as the Herdan shops are concerned, the national flag floats on something which is meant to be a distinctive company mark: the wind mill. The flag is fluttering on “neutral” heights, as well, such as the entrance portal (in another photo by Ionescu, a sign board mounted on the same portal encourages the national production). The Herdan company is more sophisticated though than Popescu’s store, since it trades different kinds of pastry products: the Risnov French bread and „biscuits” (which, as it seems, did not become national enough since the form of the word has not been yet adjusted to the lexis of the Romanian language).

The alleys waving into this space proves the fact that the norm setting, the ordering, the rationalization had got hold of Mosilor as well, even if only very recently. The trees had been planted not a very long time ago, as one can see from their modest sizes and the improvisation had not been completely lost (we are not sure whether what we can see in the far left side of the image is a kiosk or a bunch of people who have gathered to gamble.