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Technical description


Mănăstirea Antim
Antim Monastery

The Church of the Antim Monastery was built in 1713, a year when Antim the Ivirean (1650 – 1716) was patriarch of Walachia. A native of Iviria (Present Republic of Georgia), he had played a great part in the development of Romanian culture. The entire Antim complex was executed after his plans and under his direct supervision.

The church is build in walachian architecture typical for the period when it was built, a characteristic element being the exonartex, the opened porch supported by columns.

The settings belong to the last period of the brancovenesque¹ style. In 1863, the church goes through a restoration process. It is the moment when is made the rosette from the narthex’s gable and when the furniture is being replaced. The painters Petre Alexandrescu and Gheorghe Tatarescu have painted the interior.

Ionescu’s photography – the church caught in the front – brings up to date the procedure of framing with an architectural element. The frame in frame (emboitement procedure) ensures the geometry of the image. The favourite architectural element is the arch. It ensures the framing for the Patriarchal Church, Mihai Voda church, Plumbuita monastery (the ruins seen from the inside through the arch of the porch). For Stavropoleos he uses the three-cusped arch, an element of the inner yard. The arch, as framing element, appears again in an unholy image: the summer restaurant on Monte Carlo island in Cismigiu Park.

The preoccupation for symmetry appears one more in the interior image of Antim’s church – the entrance “caught” and “framed” by the columns that separate the nave from the narthex.